Conversation Piece - Monday, December 8, 2008

"Oh, come not near me, sir; I shall defile you.
I am that of your blood was taken from you
For your better health. Look no more upon't
But cast it to the ground regardlessly;
Let the common sewer take it from distinction.
Beneath the stars, upon yon meteor
Ever hung my fate, 'mongst things corruptible;
I ne'er could pluck it from him. My loathing
Was prophet to the rest, bu ne'er believed;
Mine honor fell with him, and now my life."

(The Changeling V.iii.158-67)

Thursday, September 11, 2008

Mutilated Body as a Symbol of Versatility in Life

Under the rigid order and form enforcing itself upon man during the time of the Renaissance, name, reputation, status remains in strictly hierarchical. Individual bodies are often forsaken for the “greater whole,” that which maintains society built and evolved in the conscious effort of mankind. Mutilated bodies displayed on Renaissance stage, like that which is shown in the image above, serves as a symbol of versatility of meaning “a body” holds, its implications on life, death, and what is beyond them as well. In comparison to how a single event, such as that of Don Andrea’s death in The Spanish Tragedy, embarks various perspectives accordingly to the relationship to the individual can embark vengeful thoughts and actions or on the other hand go barely noticed in the form of a simple report to the King of Spain, stands parallel to feelings and consequences that can be ignited upon violations on a single body.